collaboration “Salvation Mountain,” an old-school gospel song with crackling flourishes from the guitar whiz and a healthy dose of belting from Daigle. “Kaleidoscope Jesus” fits the vibe of the album’s colorful cover image, establishing a laidback groove over which Daigle sings breezily of the myriad ways Jesus shows up in her life.ĭaigle opens the second half of the record with the Gary Clark Jr. ![]() Written largely during and following the COVID-19 pandemic, there is a strong theme of hopefulness on the record, like on opening track “Thank God I Do,” a gentle, spare love song that revels in God’s omnipresence. ![]() Released in two parts, the full record is a sprawling but cohesive statement from Daigle, both musically and spiritually, and hints at what she’s been up to in the intervening five years. ![]() Though Lauren Daigle is already one of the most popular contemporary Christian artists in the genre, the Grammy-winning singer-songwriter reintroduces herself with this self-titled double album, her first full-length LP since the monumental success of her 2018 release Look Up Child.
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